प्रायोजित कड़ी - हटाएं

गद्य - उदाहरण वाक्य

gadya  gadya
एक गद्य लेखक के रूप में मणीलाल के जीवन की शुरूआत कान्ता से आरम्भ होती है, किन्तु उनकी गद्य शैली का वास्तविक प्रभाव प्रियंवदा के सम्पादन के बाद महसूस होने लगा।
Manilal's career as prose - writer began with Kanta but the real impact of his prose-style could be felt only after he started editing Priyamvada.
चात्रिक की कई गद्य - रचनाऍं पाण्डुलिपियों में पाई जाती हैं।
Many of Chatrik's prose works are to be found in manuscript form.
छंदोबद्ध रचना लेखन की एकमात्र शैली थी और गद्य में लिखने का विचार किसी के मन में आता ही नहीं था।
Metrical form of writing was the only mode of expression and writing in prose was not thought of.
पंजाब के अधिकतर लेखक साहित्यिक गद्य की सूक्ष्मता की अपेक्षा विषय-वस्तु की ओर अधिक ध्यान देते थे।
Most writers of the Panjab cared more for the theme than the niceties of literary prose.
नानालाल ने काव्य और गद्य के सभी रूपों में क़लम चलाई है।
Nanalal assayed all the varieties of poetry and prose.
प्रायोजित कड़ी - हटाएं
फिर भी कुछ गद्य - रचनाएं भी सामने आयीं, जैसे रामप्रसाद निरंजनी की भाषा योग - वसिष्ठ 1741 तथा पंडित दौलतराम का पद्म-पुराण का हिन्दी अनुवाद 1761।
Never - theless a few prose works were attempted, like Ram Prasad Niranjani's Bhasha Yoga Vasista 1741, or Pandit Daulat Ram's Hindi translation of Padma Parana 1761.
लेकिन यह पत्र पिछली शताब्दी के सातवें दशक के अंग्रेजों के जीवन और उनके रहन-सहन का दो टूक आकलन प्रस्तुत करने के अलावा साहित्यिक गुणों से भी संपन्न हैं और बोलचाल की भाषा में लिखी गई बंगला गद्य के भी आरंभिक नमूने के नाते ऐतिहासिक दृष्टि से बड़े महत्वपूर्ण हैं।
Nevertheless, these letters, apart from their shrewd observations on English life and manners in the seventies of the last century, have considerable literary merit arid are historically significant as early specimens of literary prose in Bengali written in the colloquial style.
उन्होंने जिस प्रकार जगमगाते गद्य में असमिया जीवन की विविध भंगिमाओं को आत्मसात् और अभिव्यक्त किया वैसा अन्य कोई असमिया लेखक नहीं कर पाया।
No Assamese writer has understood and expressed the different moods of Assamese life in such scientillating prose as Bezbaroa had done.
गद्य या पद्य किसी भी क्षेत्र में कोई दूसरा बंगाली साहित्यकार ऐसी सच्ची और दिल से निकली बाङ्ला, न लिख सका।
No other writer has been able to pen either in poetry or prose such genuine Bengali, such language of the heart as he.
यह सिर्फ नर्मदाशंकर का अध्ययन करने वाले छात्रों के लिए ही नहीं, बल्कि अन्य लोगों के लिए भी अच्छे सरल और प्रभावशील गद्य के रुप में पठनीय है।
Not only has it a great interest for students of Narmadashankar, the man, and of his mind, but it is at places delightful as writing of flowing, liquid prose.
प्रायोजित कड़ी - हटाएं

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